This trend continues for a majority of the project, but things change dramatically halfway through. What I mean is Jeezys lyricism is a little weaker on here, but his delivery is more pronounced.
Instead of the clever lyrics and great hooks, we get Jeezy relying more on his personality. I think Jeezy plays it way more safe here than he did on his debut. 2 Chainz does his best, but even “Supafreak” falters in more than one area. The Inspiration is a somewhat worthy sequel to Jeezys 2005 classic TM101: Lets Get It. “OJ” is another average track that’s elevated solely by features from Fabolous and Jadakiss. Jay Wayne Jenkins, better known by his stage name Young Jeezy or simply Jeezy, is an American hip hop recording artist from Atlanta, Georgia He is the de facto leader of Southern hip hop group United Streets Dopeboyz of America (USDA) and a former member of Boyz n da Hood as well as the Black Mafia Family (BMF). “Waiting” is possibly one of the weaker introductions that Jeezy’s ever crafted, but thankfully it’s saved by the production and his verses. Some songs are charismatic enough to work, but most of the tracklisting (pre-Jill Scott) seems to be uninspired. It becomes all too evident that the bar was possibly set too high during the first half of the LP. Young Jeezy’s third album, TM:103 (Hustlerz Ambition) is finally upon us to listen to and dissect, but the pressure may have been too much for even Jeezy to top his last incredible LP, “The Recession.” Combining forces with the likes of Snoop Dogg, Freddie Gibbs, Jill Scott, Lil’ Wayne, and more, TM:103 delivers another solid dose of street music, even if it is initially underwhelming.
It’s been an interesting ride for the Snowman, so it’s only fitting that his latest album is released around Christmas.
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